Humanity of the Primitive in Heart of Darkness, Dialect of Modernism an

Humanity of the Primitive in Heart of Darkness, Dialect of Modernism and Totem and Taboo The ship canal in which a society might define itself are almost al slip room negative ways. We are not X. A society cannot exist in a vacuum for it to be distinct it must be able to define itself in terms of the other groups around it. These definitions must necessarily snap place at points of cultural contact, the places at which two societies come together and arrive at some stalemate of coexistence. For European culture of the late 19th and early twentieth centuries this place of contactthis new culture by which to define itselfcame from Africa, from those primitive cultures whose society was being studied and in some ways appreciated for the first time. The African natives became the new Other, the new way to define what Europe was at that time. The way in which this redefinition took place was through the institution of a fundamentally hierarchical system. Primitive versus sophisticate d, barbarous versus cultured. The anthropology of the timearticulated primarily by Frazerespoused an evolutionary view of humanity. Societies passed through several stages of development on their way to true civilisation, and, while the Europeans had made it all the way, the Africans were lagging just a bit behind. This, however, created a problem for Europe. If Africans were fundamentally the same as Europeans (albeit farther support on the evolutionary ladder), what did that say about the roots of European society? This uncertainty created a very disjunctive view of primitives in the literature of the time. In his book, The Dialect of Modernism, Michael North suggests that, The colonial subject is either a part of nature, utter... ... intensely inhuman, Freud shows us that these things are all one. This continuum of thought collapses into one inescapable incident we are the primitive, and he is us. Works Cited and Consulted Arnold, Matthew. Culture and Anarchy. Indianapolis B obs-Merrill, 1971. Conrad, Joseph. Heart of Darkness. New York W. W. Norton & Company, 1988. Freud, Sigmund. Totem and Taboo. New York W. W. Norton & Company, 1950. Greene, Graham. The Heart of the Matter. New York Penguin, 1984. Mahood, M. M. The Colonial Encounter A Reading of half dozen Novels. Totowa Rowman, 1977. North, Michael. The Dialect of Modernism. New York Oxford University Press, 1994. Raskin, Jonah. The Mythology of Imperialism. New York Random, 1971. Watts, Cedric. Conrads Heart of Darkness A Critical and Contextual Discussion. Milan Mursia International, 1977.